{"id":2787,"date":"2021-11-15T22:29:32","date_gmt":"2021-11-15T21:29:32","guid":{"rendered":"https:\/\/splendensprod.com\/about\/"},"modified":"2022-03-23T23:11:53","modified_gmt":"2022-03-23T22:11:53","slug":"about","status":"publish","type":"page","link":"https:\/\/splendensprod.com\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"
[vc_row full_width=”stretch_row_content” equal_height=”yes” content_placement=”middle” el_class=”.haut .margedg” el_id=”about1″][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_column_text el_class=”.about .margegeneriqueabout”]Cr\u00e9\u00e9es \u00e0 l\u2019automne 2019, Les Productions Splendens sont n\u00e9es de la rencontre entre Myrina Man\u00e9 et Laurence Fonlupt, avec l\u2019ambition de d\u00e9couvrir de nouveaux auteurs, d\u00e9fendre une diversit\u00e9 de points de vue et faire \u00e9merger des imaginaires. Gr\u00e2ce \u00e0 leurs exp\u00e9riences professionnelles respectives et leur compl\u00e9mentarit\u00e9, les productrices cherchent \u00e0 d\u00e9velopper des projets adress\u00e9s au plus grand nombre, port\u00e9s par une vision d\u2019auteur. Guid\u00e9es par une envie de libert\u00e9 de ton et de r\u00e9cits, elles s\u2019engagent sur des projets aux formats vari\u00e9s, pour le cin\u00e9ma, la t\u00e9l\u00e9vision et le web.[\/vc_column_text][vc_raw_html el_class=”.white .chevron” css=”.vc_custom_1647459782466{padding-top: 60px !important;padding-bottom: 120px !important;}”]JTNDYSUyMGhyZWYlM0QlMjIlMjNzZWN0aW9uMSUyMiUyMHRhcmdldCUzRCUyMl9ibGFuayUyMiUzRSUzQ2klMjBjbGFzcyUzRCUyMmZhcyUyMGZhLWNoZXZyb24tZG93biUyMiUzRSUzQyUyRmklM0UlM0MlMkZhJTNF[\/vc_raw_html][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” equal_height=”yes” content_placement=”bottom” el_class=”.haut .margedg” el_id=”about1bis”][vc_column width=”2\/12″][\/vc_column][vc_column width=”8\/12″][vc_column_text el_class=”.about .margegeneriqueabout”]Cr\u00e9\u00e9es \u00e0 l\u2019automne 2019, Les Productions Splendens sont n\u00e9es de la rencontre entre Myrina Man\u00e9 et Laurence Fonlupt, avec l\u2019ambition de d\u00e9couvrir de nouveaux auteurs, d\u00e9fendre une diversit\u00e9 de points de vue et faire \u00e9merger des imaginaires. Gr\u00e2ce \u00e0 leurs exp\u00e9riences professionnelles respectives et leur compl\u00e9mentarit\u00e9, les productrices cherchent \u00e0 d\u00e9velopper des projets adress\u00e9s au plus grand nombre, port\u00e9s par une vision d\u2019auteur. Guid\u00e9es par une envie de libert\u00e9 de ton et de r\u00e9cits, elles s\u2019engagent sur des projets aux formats vari\u00e9s, pour le cin\u00e9ma, la t\u00e9l\u00e9vision et le web.[\/vc_column_text][vc_raw_html el_class=”.white .chevron2″ css=”.vc_custom_1647456077751{padding-top: 20px !important;}”]JTNDYSUyMGhyZWYlM0QlMjIlMjNhYm91dHNtYWxsMiUyMiUyMHRhcmdldCUzRCUyMl9ibGFuayUyMiUzRSUzQ2klMjBjbGFzcyUzRCUyMmZhcyUyMGZhLWNoZXZyb24tZG93biUyMiUzRSUzQyUyRmklM0UlM0MlMkZhJTNF[\/vc_raw_html][\/vc_column][vc_column width=”2\/12″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” content_placement=”bottom” el_class=”.haut .margedg” el_id=”about2″][vc_column width=”1\/3″ el_class=”.left” el_id=”section1″][vc_column_text el_class=”.about2 .noir”]LES PRODUCTIONS[\/vc_column_text][vc_empty_space height=”12px”][vc_column_text el_class=”.about2 .noir”]FICTIONS[\/vc_column_text][vc_column_text el_class=”.noir”]Betta<\/a> \u2014[\/vc_column_text][vc_column_text el_class=”.about2 .noir”]Adrien K.<\/span>, le premier long-m\u00e9trage de Martin Drouot, laur\u00e9at \u00c9mergence 2021, est actuellement en financement.[\/vc_column_text][vc_raw_html el_class=”.chevron” css=”.vc_custom_1639059404168{padding-top: 40px !important;padding-bottom: 120px !important;}”]JTNDYSUyMGhyZWYlM0QlMjIlMjNhYm91dDQlMjIlMjB0YXJnZXQlM0QlMjJfYmxhbmslMjIlM0UlM0NpJTIwY2xhc3MlM0QlMjJmYXMlMjBmYS1jaGV2cm9uLWRvd24lMjBub2lyJTIyJTNFJTNDJTJGaSUzRSUzQyUyRmElM0U=[\/vc_raw_html][vc_empty_space height=”390px”][\/vc_column][vc_column width=”1\/3″][vc_column_text el_class=”.laumy”]<\/p>\n LES PRODUCTIONS SPLENDENS [\/vc_column_text][vc_empty_space height=”270″][vc_single_image image=”2441″ img_size=”75×137″ alignment=”right”][vc_empty_space height=”425″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” full_height=”yes” content_placement=”middle” el_class=”.haut .margedg” css=”.vc_custom_1639058703346{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”about2bis”][vc_column width=”1\/4″ el_class=”.left”][vc_empty_space height=”9px” el_id=”aboutsmall2″][vc_empty_space height=”250px”][vc_column_text el_class=”.about2 .noir”]LES PRODUCTIONS[\/vc_column_text][vc_empty_space height=”12px”][vc_column_text el_class=”.about2 .noir”]FICTIONS[\/vc_column_text][vc_column_text el_class=”.noir”]Betta<\/a> \u2014[\/vc_column_text][vc_column_text el_class=”.about2 .noir”]Adrien K.<\/span>, le premier long-m\u00e9trage de Martin Drouot, laur\u00e9at \u00c9mergence 2021, LES PRODUCTIONS SPLENDENS [\/vc_column_text][vc_empty_space height=”200px”][vc_single_image image=”2441″ img_size=”75×137″ alignment=”right”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1647973969012{margin-bottom: 50px !important;}”][vc_column][vc_column_text el_id=”about4″][\/vc_column_text][\/vc_column][\/vc_row][vc_row full_height=”yes” columns_placement=”stretch” content_placement=”middle” el_class=”.margebasabout” el_id=”aboutgrandecranc”][vc_column width=”1\/5″][vc_column_text]EN COURS<\/span>[\/vc_column_text][\/vc_column][vc_column width=”2\/5″ el_class=”.right”][vc_column_text]ADRIEN K.<\/span> [vc_row full_width=”stretch_row_content” equal_height=”yes” content_placement=”middle” el_class=”.haut .margedg” el_id=”about1″][vc_column width=”1\/12″][\/vc_column][vc_column width=”10\/12″][vc_column_text el_class=”.about .margegeneriqueabout”]Cr\u00e9\u00e9es \u00e0 l\u2019automne 2019, Les Productions Splendens sont n\u00e9es de la rencontre entre Myrina Man\u00e9 et Laurence Fonlupt, avec l\u2019ambition de d\u00e9couvrir de nouveaux auteurs, d\u00e9fendre une diversit\u00e9 de points de vue et faire \u00e9merger des imaginaires. Gr\u00e2ce \u00e0 leurs exp\u00e9riences professionnelles respectives et leur … Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/pages\/2787"}],"collection":[{"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/comments?post=2787"}],"version-history":[{"count":1,"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/pages\/2787\/revisions"}],"predecessor-version":[{"id":2788,"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/pages\/2787\/revisions\/2788"}],"wp:attachment":[{"href":"https:\/\/splendensprod.com\/en\/wp-json\/wp\/v2\/media?parent=2787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBleue<\/a>
\nLac Daumesnil<\/a>
\nLa Merde<\/a>
\nPanth\u00e9on<\/a>[\/vc_column_text][vc_empty_space height=”12px”][vc_column_text el_class=”.about2 .noir”]DOCUMENTAIRES[\/vc_column_text][vc_column_text el_class=”.noir”]Pris dans les phares<\/a>[\/vc_column_text][vc_empty_space height=”720px”][\/vc_column][vc_column width=”1\/3″ el_class=”.margehaut22″ el_id=”about21″][vc_column_text el_class=”.about2 .noir”]En 2021, la soci\u00e9t\u00e9 a termin\u00e9 la production de deux courts-m\u00e9trages,
\nun moyen-m\u00e9trage documentaire et a effectu\u00e9 la production
\nex\u00e9cutive en france du film tch\u00e8que grand prix<\/span>, produit par offside men.<\/p>\n
\nLaurence Fonlupt<\/a> | Myrina Man\u00e9<\/a><\/p>\n
\nBleue<\/a>
\nLac Daumesnil<\/a>
\nLa Merde<\/a>
\nPanth\u00e9on<\/a>
\n[\/vc_column_text][vc_empty_space height=”12px”][vc_column_text el_class=”.about2 .noir”]DOCUMENTAIRES[\/vc_column_text][vc_column_text el_class=”.noir”]Pris dans les phares<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ el_class=”.margehaut”][vc_empty_space height=”70px”][vc_column_text el_class=”.about2 .noir .margetitre”]En 2021, la soci\u00e9t\u00e9 a termin\u00e9 la production de deux courts-m\u00e9trages,
\nun moyen-m\u00e9trage documentaire et a effectu\u00e9 la production
\nex\u00e9cutive en france du film tch\u00e8que grand prix<\/span>, produit par offside men.<\/p>\n
\nest actuellement en financement.[\/vc_column_text][vc_raw_html el_class=”.chevron2″ css=”.vc_custom_1647454357700{padding-top: 20px !important;}” el_id=”about2ter”]JTNDYSUyMGhyZWYlM0QlMjIlMjNhYm91dDR0ZXIyMiUyMiUyMHRhcmdldCUzRCUyMl9ibGFuayUyMiUzRSUzQ2klMjBjbGFzcyUzRCUyMmZhcyUyMGZhLWNoZXZyb24tZG93biUyMG5vaXIlMjIlM0UlM0MlMkZpJTNFJTNDJTJGYSUzRQ==[\/vc_raw_html][\/vc_column][vc_column width=”1\/4″][vc_empty_space height=”340px”][vc_column_text el_class=”.laumy”]<\/p>\n
\nLaurence Fonlupt<\/a> | Myrina Man\u00e9<\/a><\/p>\n
\nlong-m\u00e9trage | FICTION
\nde<\/span> Martin Drouot<\/a>
\navec Vincent Dedienne, F\u00e9lix Maritaud.
\nLaur\u00e9at R\u00e9sidence Emergence 2021
\nEssai sc\u00e8ne du film :<\/span> L\u2019id\u00e9aliste<\/a>[\/vc_column_text][vc_column_text el_class=”.margetitre”]FURTIF<\/span>
\ns\u00e9rie com\u00e9die fantastique | FICTION
\nde<\/span> Ange-R\u00e9gis Hounkpatin<\/a>[\/vc_column_text][vc_column_text el_class=”.margetitre”]LE CAFARD<\/span>
\ncourt-m\u00e9trage thriller | FICTION
\nde Cl\u00e9ment et Constant Candelara<\/span>
\nLibrement adapt\u00e9 de la nouvelle
\n\u00ab Le ma\u00eetre chanteur bienveillant \u00bb
\nde Kyotaro Nishimura<\/span>[\/vc_column_text][vc_column_text css_animation=”none” el_class=”.margetitre”]DANS SA T\u00caTE<\/span>
\nun court-m\u00e9trage | FICTION
\ncom\u00e9die horrifique
\nde Fairouz M\u2019Silti<\/span>[\/vc_column_text][\/vc_column][vc_column width=”2\/5″ el_class=”.left”][vc_column_text]CANETTI,
\nUNE S\u00c9DITION EN PSYCHIATRIE<\/span>
\nde Samia Al Kayar <\/span>| DOCUMENTAIRE
\nPortrait au sein de l\u2019\u00e9quipe du Centre
\nHospitalier de Sainte-Anne \u00e0 Paris<\/span>[\/vc_column_text][vc_column_text el_class=”.margetitre”]SKIN HUNGER<\/span>
\nWEB-S\u00c9RIE | FICTION
\nd’<\/span>Ornella Pacchioni<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_height=”yes” columns_placement=”bottom” content_placement=”middle” el_class=”.margebasabout” el_id=”aboutneww”][vc_column el_id=”about4ter2″][vc_row_inner css=”.vc_custom_1647453711654{padding-top: 20px !important;padding-bottom: 30px !important;}”][vc_column_inner][vc_raw_html el_id=”about4ter22″][\/vc_raw_html][\/vc_column_inner][\/vc_row_inner][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/5″][vc_column_text]EN COURS<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”.right” width=”2\/5″][vc_column_text css=”.vc_custom_1647203904479{margin-top: 40px !important;}”]ADRIEN K.<\/span>
\nlong-m\u00e9trage | FICTION
\nde<\/span> Martin Drouot<\/a>
\navec Vincent Dedienne, F\u00e9lix Maritaud.
\nLaur\u00e9at R\u00e9sidence Emergence 2021
\nEssai sc\u00e8ne du film :<\/span> L\u2019id\u00e9aliste<\/a>[\/vc_column_text][vc_column_text el_class=”.margetitre” el_id=”about4ter2″]FURTIF<\/span>
\ns\u00e9rie com\u00e9die fantastique | FICTION
\nde<\/span> Ange-R\u00e9gis Hounkpatin<\/a>[\/vc_column_text][vc_column_text el_class=”.margetitre”]LE CAFARD<\/span>
\ncourt-m\u00e9trage thriller | FICTION
\nde Cl\u00e9ment et Constant Candelara<\/span>
\nLibrement adapt\u00e9 de la nouvelle
\n\u00ab Le ma\u00eetre chanteur bienveillant \u00bb
\nde Kyotaro Nishimura<\/span>[\/vc_column_text][vc_column_text css_animation=”none” el_class=”.margetitre”]DANS SA T\u00caTE<\/span>
\nun court-m\u00e9trage | FICTION
\ncom\u00e9die horrifique
\nde Fairouz M\u2019Silti<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner el_class=”.left” width=”2\/5″][vc_column_text el_class=”.margetitre”]CANETTI,
\nUNE S\u00c9DITION EN
\nPSYCHIATRIE<\/span>
\nde Samia Al Kayar <\/span>| DOCUMENTAIRE
\nPortrait au sein de l\u2019\u00e9quipe du Centre
\nHospitalier de Sainte-Anne \u00e0 Paris<\/span>[\/vc_column_text][vc_column_text el_class=”.margetitre”]SKIN HUNGER<\/span>
\nWEB-S\u00c9RIE | FICTION
\nd’<\/span>Ornella Pacchioni<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"